The ensemble gathered again to run through the show and start shaping the rhythm of the performance. The goal for the evening was simple: get the play on its feet and see where the story moves quickly and where it needs tightening.

We began the run right on schedule, with Sophia Esch stepping in to play the Duke. As the scenes unfolded, the ensemble’s growth was immediately visible. One participant’s work earned snaps of appreciation from another, highlighting the supportive culture that has formed within the group.

Throughout the run, the ensemble offered thoughtful observations. Some conversations centered on pacing — particularly the long storytelling speeches that set up the play’s backstory. While a few ensemble members wondered if certain sections might lose audience attention, the group ultimately recognized how important those moments are for grounding the narrative.

Meanwhile, the comedy of the play continued to shine. Several scenes crackled with energy, especially the arrest sequence. The ensemble leaned fully into the physical humor and fast pacing, creating a moment that felt electric. As we watched the scene unfold, it became clear that this section represents exactly what the show can be at its best: bold, playful, and full of life.

Actors also experimented with accents, reactions, and physical beats. Some scenes sparked conversations about blocking and timing, while others revealed just how funny Shakespeare’s chaos can be when performers commit to the absurdity.

By the end of the run, we had made it through most of the play and identified several places where small cuts could help streamline the performance. The ensemble agreed that tightening the script will help maintain momentum and keep the audience engaged.

Before closing the evening, the group voted on whether they wanted to watch a film version of the play together as part of their preparation. The decision was unanimous: they’re excited to rewatch another interpretation and compare it with the choices they’ve been developing.

With auditions complete and the show beginning to take shape, the ensemble is now focused on refining the rhythm of the play — sharpening the comedy, clarifying the storytelling, and continuing to build the joyful chaos that makes The Comedy of Errors so much fun to perform.