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Season 12 Line Up

The season opens September 23, 2026 with the Michigan premiere of EUREKA DAY and concludes with THURGOOD, closing May 23, 2027

Broadway Director, Steve Broadnax returns to DPT

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Birthday Candles

Birthday Candles will take audiences on a magical journey with Ernestine Ashworth, from birthday to birthday, as she bakes a life. This world premiere by internationally acclaimed playwright Noah Haidle was commissioned by Detroit Public Theatre.

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Marie and Rosetta

Marie and Rosetta features electrifying music and brings us to Tharpe’s first rehearsal with young protégée Marie Knight before they set out to become one of the great duos in music history. 

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Pike St.

On New York’s Lower East Side, a mother works hard to keep the electricity flowing for her daughter’s respirator while a hurricane looms nearby. As she prepares for disaster, a vibrant host of characters brings new meaning to the phrase “it takes a village.”

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No Child…

Sun transforms herself with rapid-fire precision into the teachers, students, parents and janitors who inhabit one New York City public school. See how one determined woman can change the lives of countless others in this tour de force piece crackling with wit and wisdom.

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THE BEAUTY QUEEN OF LEENANE

Written by Academy Award-nominated writer Martin McDonagh (Three Billboards Outside Ebbing, Missouri), The Beauty Queen of Leenane is a groundbreaking, TONY Award-winning, wildly funny, and deeply shocking modern classic. Set in the mountains of Connemara, Ireland, it tells the story of Maureen Folen, a plain and lonely woman in her early forties; Mag, the aging, manipulative mother with whom she lives; and their toxic, caretaking relationship. When Mag interferes in Maureen’s first (and potentially last) romantic relationship, events are set in motion that are as tragically funny as they are horrific. Winner of the Drama Desk, Drama League, Lucille Lortel, and Outer Critics Circle Awards for best play, “McDonagh re-creates the traditional Irish family drama only to set it ablaze with a postmodern blowtorch.” –LA Times

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Shakespeare in Prison Blog Updates from the Women's Ensemble

“You Gotta Have a Hook.” – May 12

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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“Only Up From Here.” – May 14

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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I Think We Should Go Beyond the Walls.

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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Everyone Should Just Keep Going if They Mess Up.

The ensemble jumped into rehearsal almost immediately after arriving, energized by the arrival of props and new creative possibilities. The session focused heavily on pacing, scene work, and refining the growing world of The Comedy of Errors. Ensemble members filled in for missing roles throughout the evening, creating a collaborative rehearsal room where everyone supported one another and kept the show moving forward.

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