This week, we shifted into a different kind of rehearsal — observation and analysis. Instead of working the scenes on our feet, we began watching a film adaptation of The Comedy of Errors, using it as a tool to spark ideas for our own production.

Even in a quieter session, the ensemble stayed engaged, watching closely and offering insights along the way. Small moments in the film opened up big possibilities. A simple sunglasses gag inspired conversation about how physical comedy can heighten character, while another participant suggested enhancing stage combat by reinforcing the sound of slaps from backstage. These ideas reflect how deeply the ensemble is thinking about theatricality — not just what happens, but how it lands with an audience.

We also began to notice patterns in character behavior. One observation stood out: Dromio constantly trying to exit scenes. That recurring choice sparked discussion about how we might build that same comedic urgency into our own staging.

Throughout the evening, there were thoughtful side conversations about performance choices — particularly around physical interaction and how different productions approach touch and staging. Even while watching, the ensemble remained in a creative mindset, filtering everything through the lens of our show.

We paused the film after the arrest scene, planning to finish it next session. As always, we closed in a circle, grounding the work in community before heading out.