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“Give me sword fights!” – August 6

As rehearsals for our summer performance continued, this session focused on shaping the overall flow of the production. Rather than working on individual pieces in isolation, the ensemble began making collaborative decisions about staging, transitions, and how the audience will experience the evening as a whole. It was another reminder that while each work began as a personal reflection, the performance itself belongs to the ensemble.

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“It Just Feels Good” – August 4

As rehearsals for our summer performance continued, this session focused on shaping the overall flow of the production. Rather than working on individual pieces in isolation, the ensemble began making collaborative decisions about staging, transitions, and how the audience will experience the evening as a whole. It was another reminder that while each work began as a personal reflection, the performance itself belongs to the ensemble.

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“These pieces are meant to be performed.” – July 30

As rehearsals for our summer performance continued, this session focused on shaping the overall flow of the production. Rather than working on individual pieces in isolation, the ensemble began making collaborative decisions about staging, transitions, and how the audience will experience the evening as a whole. It was another reminder that while each work began as a personal reflection, the performance itself belongs to the ensemble.

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“It’s gonna be fun.” – July 28

This session, the script was unveiled and the ensemble had their first full read-through of the summer. As the ensemble read through the show, they made final adjustments while celebrating one another’s creativity and hard work.

After checking in and doing the ring exercise, the ensemble gathered to read through the complete production. The read-through was timed to give the group an idea of the length and pacing of the show.

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July 23

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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“We gotta make y’all do something.” – July 21

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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The Harassment of Iris Malloy

A single mother places a bet on a new life after an intimate encounter with a decorated senator, and the fallout will change them both forever. The Harassment of Iris Malloy is an epic political thriller that challenges us to explore power, privilege and parenthood. Zak Berkman’s new drama is a rolling world premiere.

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The Holler Sessions

The Holler Sessions, staged as a live radio show, centers around one man’s burning obsession for American jazz. Ray, a jazz DJ, broadcasts his love of this uniquely American art form from his shoddy studio with an infectious passion. Ray’s maniacal rants, razor-sharp insights, and mildly scatological humor are interspersed with truly spectacular music and Ray gives his audience true space room for listening. The Holler Sessions serves as an electrifying jazz primer for the uninitiated, a powerful reminder for jazz fans, and an irreverent love letter to the best thing America has ever created – and forgotten.

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DOT

A hilarious and deeply moving new play, Dot grapples unflinchingly with aging parents, midlife crises, and the heart of a West Philly neighborhood. Colman Domingo’s smash hit comes to DPT as the regional premiere.

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Murder Ballad

Murder Ballad, an Off-Broadway sensation at Manhattan Theatre Club, is a dark thriller with a razor’s edge.

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