
“We Say What’s Acceptable, Which Makes the People Feel Acceptable.” – October 8
We got to programs around 5:55. As we get more members in the room, we start check in. We start around 6:30.
One member leads the ring for the first time.

We got to programs around 5:55. As we get more members in the room, we start check in. We start around 6:30.
One member leads the ring for the first time.

Today, we moved forward with Act 1, Scene 3, which is a very short scene.
After reading it through, the ensemble discusses what is happening in the scene. They seem to connect to Goneril’s anger toward Lear.
One participant said: “She sounds angry, she wants to be left alone.”
A participant: “You rocked that,” she tells the reader.

Today, we moved forward with Act 1, Scene 3, which is a very short scene.
After reading it through, the ensemble discusses what is happening in the scene. They seem to connect to Goneril’s anger toward Lear.
One participant said: “She sounds angry, she wants to be left alone.”
A participant: “You rocked that,” she tells the reader.

I ask the group what they want to do today. One participant wants to bring up a concern. She says people are getting bored because we are sitting and reading and talking. We talk about the importance of this part of the process, in which we read the play scene by scene as an ensemble and discuss its meaning, impact, and dreams we have for staging it. An ensemble member advocates in support of this process, while two other ensemble members don’t want to stop much for reflection.

A reading of collective work centering the voices and experiences of Black women and femmes.

Back by popular demand! Let go of all your holiday show expectations and join us for a rollicking great time at DPT’s 2nd Annual Holiday Cabaret.

Something bad has happened to 9-year-old Amanda, and her toys— stuffed penguin Jonah; American Girl Doll Molly; trusted Diary; and newcomer Ugly, a weighted “emotional support” bunny— find their once-peaceful world thrown into darkness and chaos. A play about childhood, guns, and all the wounds we can’t see.

Don’t miss this powerful production written by DPT Executive Artistic Producer, MacArthur Genius award-winning, Tony nominated, Daughter of Detroit Dominique Morisseau.

EUREKA DAY closes October 25th!