This session was all about finishing the read-through and sharpening character choices. After check-in, we completed Act 4 and moved into the final act of the play.

Accent work became a joyful focal point. When teased that her Dromio’s accent might not match the other twin, one participant laughed, “The Wakanda is Wakanda-ing.” The room lit up. Rather than seeing accent variation as a problem, the group explored how it could become part of the comedy — perhaps even acknowledged directly in the script. That playful creativity reflects the ensemble’s growing confidence in shaping the story.

In Act 5, Scene 1, we examined the resolution of the play. The group debated whether certain characters should have figured out the twin twist sooner. “They were gonna behead me!” one participant argued passionately, defending Egeon’s confusion. We also discussed whether consequences linger at the end — and whether family truly triumphs. The consensus leaned toward joy. As we reflected, I shared my belief in the power of a happy ending.

Newer members expressed interest in roles and began preparing for auditions. The excitement around stepping into bigger parts is palpable, even when nerves surface. When someone jokingly suggested performing her first forty lines for auditions, groans and laughter filled the room — a reminder that humor keeps us grounded even in moments of anticipation.

We wrapped with games — Buzz, Gibberish Rap, Do Your Dance — and closed in our usual circle. As we head toward auditions and full runs, February has shown us something clearly: this ensemble is not just rehearsing a comedy — they are actively shaping it, questioning it, and making it their own.