This week’s rehearsal focused on refining the script and strengthening the ensemble’s approach to memorization and performance. After gathering and checking in, the group turned its attention to shaping the pacing of The Comedy of Errors by discussing potential cuts.

The conversation quickly became collaborative. While some sections seemed ripe for trimming, others sparked debate. One ensemble member strongly advocated for keeping the comedic exchanges between Antipholus and Dromio, arguing that those moments are essential to the rhythm of the play. Another participant suggested a compromise: keep the jokes and punchlines, but trim the extra lines around them to keep the pace moving.

As the ensemble continued discussing possible edits, one piece of advice stood out: “If a part is difficult to say, cut it out. Make sure the lines flow for you — you’re the one who has to say it.” The comment reflected the ensemble’s growing confidence in shaping the script so it feels natural and playable.

The conversation also turned toward performance strategies. The group explored memorization techniques, sharing the creative ways they make Shakespeare’s language their own. One ensemble member described how she uses movement to anchor her lines: “When I’m on stage I like to move. I do a movement to remember my lines. I use the stage to my advantage.” Another talked about singing lines to help remember them, joking that if you sing the text, the audience might not even notice a mistake.

The evening ended with the ensemble reflecting on the power of performance and community before closing in the circle. The work ahead is clear: continue tightening the script, deepen memorization, and prepare the show for its next run-through.