“We’re in the 60s and 70s, songs are great.” – February 3

This session was filled with creativity, humor, and big-picture dreaming about what comes next for the ensemble. As we gathered and checked in, we talked about the remainder of the season and the exciting work ahead – finishing blocking, welcoming new ensemble members, and eventually choosing next year’s production. The conversation quickly turned imaginative as participants began brainstorming ways to shape the show in ways that felt true to them.

The group discussed how timing runs might help tighten the script and joked about cutting lines, rearranging moments, and even adding music. The idea of incorporating songs or rap elements sparked enthusiasm, and several participants imagined future productions that blend Shakespeare with original musical or spoken-word storytelling. Conversations about projects like Hip Hop Hamlet inspired everyone to think about how their own creative voices might shape future work together.

As rehearsal began, laughter flowed easily. Playful moments emerged as scenes were restaged, with participants experimenting with character choices, adding humorous touches, and supporting one another’s performances. Improvised moments – like shared reading glasses becoming part of a comic exchange – showed how the ensemble continually discovers new bits of storytelling through collaboration.

Scene work continued with strong performances and generous peer feedback, with participants encouraging one another to explore bigger emotional stakes and clearer character intentions. The energy remained high as rehearsal transitioned into dance practice, with the group suggesting songs and moving together through familiar dances, filling the room with music, laughter, and joy.

The evening ended on a light, playful note, reminding us that even in the middle of rehearsal challenges, laughter and shared movement remain central to the ensemble’s creative process.

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