With rehearsal scripts officially in hand, the ensemble dove into blocking and scene work, eager to bring the play to life. The group began by revisiting rehearsal room values—how to offer notes, how to receive feedback, and how to balance collaboration with individual choice. The emphasis was clear: actors are encouraged to experiment, but ultimately decide what works best for them.

Blocking began with the opening scenes of the play, quickly revealing opportunities for added stage business and physical storytelling. Ensemble members stepped into both primary and supporting roles, finding inventive ways to stay active and engaged onstage—even when characters weren’t speaking. Moments of improvisation brought humor and surprise, including spontaneous character beats that immediately energized the room.

As scene work continued, the group navigated the balance between specificity and overload. When feedback became dense, the ensemble practiced slowing down and offering one clear note at a time. These moments became opportunities to reinforce trust and care within the room, especially as actors worked through challenging monologues and physical comedy.

The session also featured lively stage combat, playful repetition, and growing confidence—particularly among actors tackling demanding roles with both language and movement. By the end of the night, the ensemble had successfully blocked through multiple scenes, laying strong groundwork for future rehearsals.

The evening closed with ensemble games that emphasized listening and patience, along with early conversations about costumes and upcoming creative choices. Together, the two sessions reflected a rehearsal room full of curiosity, laughter, and forward motion—an ensemble actively shaping The Comedy of Errors with care, courage, and joy.