
“We Say What’s Acceptable, Which Makes the People Feel Acceptable.” – October 8
We got to programs around 5:55. As we get more members in the room, we start check in. We start around 6:30.
One member leads the ring for the first time.

We got to programs around 5:55. As we get more members in the room, we start check in. We start around 6:30.
One member leads the ring for the first time.

Today, we moved forward with Act 1, Scene 3, which is a very short scene.
After reading it through, the ensemble discusses what is happening in the scene. They seem to connect to Goneril’s anger toward Lear.
One participant said: “She sounds angry, she wants to be left alone.”
A participant: “You rocked that,” she tells the reader.

Today, we moved forward with Act 1, Scene 3, which is a very short scene.
After reading it through, the ensemble discusses what is happening in the scene. They seem to connect to Goneril’s anger toward Lear.
One participant said: “She sounds angry, she wants to be left alone.”
A participant: “You rocked that,” she tells the reader.

I ask the group what they want to do today. One participant wants to bring up a concern. She says people are getting bored because we are sitting and reading and talking. We talk about the importance of this part of the process, in which we read the play scene by scene as an ensemble and discuss its meaning, impact, and dreams we have for staging it. An ensemble member advocates in support of this process, while two other ensemble members don’t want to stop much for reflection.

A reading of collective work centering the voices and experiences of Black women and femmes.

Daniel Valentine is a dynamic and multifaceted professional dedicated to youth development, education, and the arts. A native Detroiter and

Fatoumata is a marketing and communications professional. She enjoys combining creativity and strategy to tell meaningful stories and connect with

Kyle has been with Detroit Public Theatre since its fourth season, currently serving as Associate Director of Development. Previously, he

Connectivity and Engagement Manager Madelyn Porter is Connectivity and Engagement Manager for Detroit Public Theatre (DPT). She has worked as

Garlia is a writer, producer, photographer and mother from Detroit. 2008: Founded Blackboard Plays, a monthly series devoted to Black

Business Manager Melissa has been the Business Manager at Detroit Public Theatre since its third season. A graduate of Eastern

Associate General Manager Jala Jackson is an actress, director and writer from Detroit, MI. Starting at the age of 6,

Production and General Manager Patrick has been with DPT since season two. He has worked as a stage manager (Skeleton

Director of Shakespeare in Prison Sophia Esch, Director of Shakespeare in Prison, is thrilled to step into this leadership role

Development Associate South Carolina native Willie Cornish, Jr. joined the DPT staff in Summer 2026 after serving as the Marketing
EUREKA DAY closes October 25th!