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“I Want to Branch Out.” – October 20

Sometimes the biggest moments in rehearsal happen before we even open the script.

We arrived at the programs building around 6:00 to a relatively small group. As we settled in, one ensemble member casually announced that she wanted to read King Lear that night.

I was thrilled.

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“Ooh, How Treacherous!” – October 15

The group was excited to be together, and to dive into reading. It was clear that several of them had been reading their scripts over the weekend, as many came in with new ideas about which characters they were interested in playing. One announced to the group that she wants to play Kent right as she arrived. She told us that she had been sharing the script with some people throughout the facility and getting everyone excited to see our prodcution.

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“There’s Power in Playing the Fool.” – October 13

I don’t think I realized that was going to happen when we first arrived at the programs building on Tuesday. It was just after 6:00, and only a handful of ensemble members had gathered. We chatted about other programs, shared stories, and waited for the rest of the group to arrive. One participant asked me what our question of the day was, and I told her we were asking everyone to reflect on when they first felt like they belonged in the ensemble.

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“I Saw the Stage and Said ‘Honey, I’m Home!'” – October 6

Today, we moved forward with Act 1, Scene 3, which is a very short scene.

After reading it through, the ensemble discusses what is happening in the scene. They seem to connect to Goneril’s anger toward Lear.

One participant said: “She sounds angry, she wants to be left alone.” 

A participant: “You rocked that,” she tells the reader.

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Daniel Valentine

Daniel Valentine is a dynamic and multifaceted professional dedicated to youth development, education, and the arts. A native Detroiter and

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Fatoumata Sacko

Fatoumata is a marketing and communications professional. She enjoys combining creativity and strategy to tell meaningful stories and connect with

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Kyle Stefek

Kyle has been with Detroit Public Theatre since its fourth season, currently serving as Associate Director of Development. Previously, he

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Madelyn Porter

Connectivity and Engagement Manager Madelyn Porter is Connectivity and Engagement Manager for Detroit Public Theatre (DPT). She has worked as

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Melissa Johnson

Business Manager Melissa has been the Business Manager at Detroit Public Theatre since its third season. A graduate of Eastern

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Jala Jackson

Associate General Manager Jala Jackson is an actress, director and writer from Detroit, MI. Starting at the age of 6,

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Patrick Hanley

Production and General Manager Patrick has been with DPT since season two. He has worked as a stage manager (Skeleton

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Sophia Esch

Director of Shakespeare in Prison Sophia Esch, Director of Shakespeare in Prison, is thrilled to step into this leadership role

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Willie Cornish

Development Associate South Carolina native Willie Cornish, Jr. joined the DPT staff in Summer 2026 after serving as the Marketing

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EUREKA DAY closes October 25th!