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“If you want something different you gotta do something different.” – September 1 & 3

September 1 marked the first session of a new Shakespeare season, and after a summer spent creating and performing original work, the ensemble returned to Shakespeare with curiosity, humor, and a willingness to experiment.

After check-in and the ring, we shifted our attention toward the season ahead. Before jumping directly into King Lear, we spent the evening exploring monologues and scenes from several Shakespeare plays, giving ensemble members the opportunity to try characters, discover objectives, and simply play.

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“I had a wonderful time and I got great reviews.” – August 25

With our summer performances behind us, our final session of the summer program gave us an opportunity to come back together, reflect on everything we had accomplished, and begin looking toward what comes next for Shakespeare in Prison.

Before we even made it into the ring, the evening began with conversation. One participant shared good news about her niece, who had been in a coma and was beginning to wake up. She was only able to stay long enough to say goodbye before leaving to call her family. Before she left, we found ourselves talking about some of the realities of life inside. At one point she told me, “I’m glad you guys see how it really is.”

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“I like that I can connect with the audience.” – August 20

This was the ensemble’s final performance of the summer. The ensemble returned to the stage for one final show, bringing the production to an energetic and celebratory close.

Before the performance, ensemble members set the space and prepare props and costumes. The energy was light as the cast chatted, laughed, and complimented each other’s hair and makeup. Past ensemble members returned to watch the final show, adding to the sense of community in the room. Before the curtains opened, the ensemble gathered for check-ins, the ring, and a warm-up. An ensemble member also led a moment of silence before the performance began.

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“I’m just glad I got through it without crying.” – August 18

After weeks of writing, rehearsing, blocking, and preparing, the ensemble finally took the stage for their first performance of their original works! The night was filled with anticipation. Ensemble members arrived early to prepare the stage, set up props, and get dressed before the show 

The ensemble closed the curtains as guests poured in. Many in the audience knew the cast members, so there was plenty of excitement and anticipation as everyone waited for the show to begin. Before the performance, we did the usual check-ins, the ring, and a quick warm-up.

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Sarah Winkler

Sarah was a Producing Artist with the Obie, Drama Desk, and Lucille Lortel award-winning Off-Broadway Epic Theatre Ensemble. While at

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Terry Barclay

Terry Barclay is a leader in building strong business networks and board governance teams with over 35 years’ experience working

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courtney

Courtney Burkett

Courtney is a member of the artistic leadership team at Detroit Public Theatre, where she regularly directs productions. In her

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Lisa Corey

A graduate of the University of Michigan, Lisa Corey has for the past 27 years been the CEO/CFO of a

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Akua Hill

Akua Hill serves as the Gilbert Family Foundation’s Director of Arts and Culture, where she drives forward key initiatives to

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Sarah Prues

Sarah is the founder and principal of Prues Hecker, LLC, a Grosse Pointe-based fundraising, event management and consulting firm. She

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David Jaffe

David Jaffe is a theatre lover and a lawyer and businessperson at Jaffe Counsel in Birmingham, where he provides strategic

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Nakia Johnson

Nakia Johnson is a results-oriented leader with a demonstrated record of success across a diverse set of industries. In her

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