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“Give me sword fights!” – August 6

As rehearsals for our summer performance continued, this session focused on shaping the overall flow of the production. Rather than working on individual pieces in isolation, the ensemble began making collaborative decisions about staging, transitions, and how the audience will experience the evening as a whole. It was another reminder that while each work began as a personal reflection, the performance itself belongs to the ensemble.

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“It Just Feels Good” – August 4

As rehearsals for our summer performance continued, this session focused on shaping the overall flow of the production. Rather than working on individual pieces in isolation, the ensemble began making collaborative decisions about staging, transitions, and how the audience will experience the evening as a whole. It was another reminder that while each work began as a personal reflection, the performance itself belongs to the ensemble.

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“These pieces are meant to be performed.” – July 30

As rehearsals for our summer performance continued, this session focused on shaping the overall flow of the production. Rather than working on individual pieces in isolation, the ensemble began making collaborative decisions about staging, transitions, and how the audience will experience the evening as a whole. It was another reminder that while each work began as a personal reflection, the performance itself belongs to the ensemble.

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“It’s gonna be fun.” – July 28

This session, the script was unveiled and the ensemble had their first full read-through of the summer. As the ensemble read through the show, they made final adjustments while celebrating one another’s creativity and hard work.

After checking in and doing the ring exercise, the ensemble gathered to read through the complete production. The read-through was timed to give the group an idea of the length and pacing of the show.

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July 23

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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“We gotta make y’all do something.” – July 21

This session focused on imagining the future of the summer writing project and exploring what it means to create original work together. The ensemble reflected on last year’s performances and discussed how writing can create opportunities for voices, stories, and experiences to be shared in new ways.

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Birthday Candles

Birthday Candles will take audiences on a magical journey with Ernestine Ashworth, from birthday to birthday, as she bakes a life. This world premiere by internationally acclaimed playwright Noah Haidle was commissioned by Detroit Public Theatre.

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Marie and Rosetta

Marie and Rosetta features electrifying music and brings us to Tharpe’s first rehearsal with young protégée Marie Knight before they set out to become one of the great duos in music history. 

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Pike St.

On New York’s Lower East Side, a mother works hard to keep the electricity flowing for her daughter’s respirator while a hurricane looms nearby. As she prepares for disaster, a vibrant host of characters brings new meaning to the phrase “it takes a village.”

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No Child…

Sun transforms herself with rapid-fire precision into the teachers, students, parents and janitors who inhabit one New York City public school. See how one determined woman can change the lives of countless others in this tour de force piece crackling with wit and wisdom.

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Skeleton Crew

Set at the start of the 2008 recession, a makeshift family of workers at the last exporting auto plant in the city navigates the possibility of foreclosure.

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